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The art of distribution

One live feed.
Thousands of channels. Every one already trusted.

YONDA broadcasts a single live event as hundreds of customised streams — through the co-hosts, partners, sponsors and creators your audience already follows. Different languages, different platforms, different edits, one control room.

Diagram: a single ingest source routed to many labelled output channels across different platforms.

Live work delivered for

  • Oracle Red Bull Racing
  • Virgin Galactic
  • Xbox
  • Warner Music
  • Electronic Arts
  • Sega
  • WWE
  • IGN
  • Insomniac
  • Outside Lands
  • Diplo
  • Veeps

The reach ceiling

Your launch reaches your followers. Then it stops.

You put months into one live moment and broadcast it down one pipe, in one language, to the audience you already had. Everything past that is paid for.

  • Owned reach has a hard edge. Your channel tops out at the people who already subscribed. The rest is rented from a media buy.
  • One stream serves one audience. A single English-language feed asks a Mexican, Japanese or Turkish fan to meet you on your terms.
  • The moment ends and the content ends with it. No clips, no local versions, no second wave — just a VOD file nobody returns to.
  • Nobody trusts a brand channel like they trust a creator. The same content lands differently depending on whose face introduces it.

Fractionalised distribution

We give the event away, and it comes back multiplied.

Instead of one broadcast, YONDA produces hundreds of versions of the same live event and hands each one to a co-host — a creator, a sponsor, a partner, a fan — who streams it to their own audience, in their language, with their own commentary. One feed in. Every relevant channel out.

  1. Step 01

    Design the audience

    We process your CRM data — or build the target from scratch where there isn't any — to work out exactly which communities, platforms and creators hold the audience you want.

  2. Step 02

    Recruit the co-hosts

    A structured outreach programme signs up the channels that match. Typically one to four months of lead time, depending on the profile of the co-hosts required.

  3. Step 03

    Broadcast once, deliver everywhere

    The YONDA Live control room takes one ingest and renders a customised output per destination — language, graphics, sponsor overlays, accessibility, ad breaks — all in the cloud, live.

Who we build this for

Five jobs, one distribution engine

Brand marketing

Make a launch cut through

You have a moment, a budget and a busy market. Fractionalised distribution buys reach with relevance instead of media spend, and gives you per-market versions without per-market production.

Agencies

Deliver a channel plan you can actually staff

We run the audience design, co-host outreach and live production under your strategy. You keep the client relationship; we handle the control room and the 200 outputs behind it.

Festivals & promoters

Take the site-wide experience global

Multiple stages, concurrent streams, sponsor-branded outputs and near-instant clips for artists and managers — at a fraction of conventional distribution cost.

Artist management & labels

Reach the fandom where it already lives

Personalised streams per artist, per territory, per platform, with clipping as the show runs so the moment keeps working long after the set ends.

Rights holders & publishers

Extend the show without diluting it

Localised versions, accessibility tracks, controlled partner distribution and embargo-safe private streams for press and influencers ahead of release.

Not sure which you are?

Bring us the event

Tell us what is happening, when, and what the moment has to achieve. We will tell you whether fractionalised distribution is the right tool.

Event types

Four ways to run it

The same control room handles all of them, so a campaign can move between formats without changing supplier.

01 · Live

Live events

Real-time broadcast with live chat and polls. Everything happens in the moment, and so does the interaction.

02 · As live

As-live events

Pre-recorded content broadcast to a schedule, with live chat and moderation running alongside it. Premiere control without live-day risk.

03 · Scheduled

Scheduled events

Audiences register in advance, so you build anticipation and measure interest before you go on air. Live and pre-recorded material can be mixed.

04 · Private

Private events

Access by password or invitation, with per-viewer watermarking. Built for embargoed material going to press and influencers.

YONDA Live

One control room, unlimited outputs

YONDA Live is a cloud master control room. It takes your feeds, builds each destination's version live — graphics, overlays, language, sponsor branding, accessibility — and pushes them out through API integrations with social, digital, OTT and FAST channels. No trucks, no per-destination production team.

  • Multi-event panel. Group multi-day or multi-slot activations in one place.
  • Clipping as you go. Cut moments live, drop them back into the schedule or export them to partners immediately.
  • Intelligent scheduling. Sync live feeds with pre-recorded content into one continuous show.
  • Live audience monitoring. Engagement and sentiment across every co-host channel while the show is running.
The YONDA Live control room, showing the source feed, output monitor, running schedule, live clips and the list of active distributions with live engagement counters.
YONDA Live · master control room
A private event stream behind a branded log-in screen, with the video only accessible after sign-in.
Private event · branded access gate

Private events

Show it to the press without watching it leak

YONDA renders a unique watermark into every viewer's stream, live and on demand, and monitors the asset and IP location behind a branded log-in. If a recording escapes, the source is identifiable — even when the watermark has been obscured.

Used by Electronic Arts, Xbox, Sega, Warner Music and Warner Bros. Games to put embargoed material in front of global press and influencer audiences ahead of release.

Got a live moment coming up?

Bring us the date and the objective. We will tell you what fractionalised distribution would do to it, and what it would take — before anyone talks about a budget.

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